Emotional Rescue

With his captivating portraits, photographer Richard Phibbs gives a sense of dignity to abused and abandoned dogs

Photographer Richard Phibbs has taken portraits of Oscar-winning actresses, a presidential candidate, and legendary tennis players. He has also photographed countless Ralph Lauren campaigns, including Fall 2016 for men's Polo. But in his new book, Rescue Me, Phibbs trains his eye on some of the most vulnerable creatures on earth: the abandoned and often abused dogs at the Humane Society of New York’s no-kill shelter on East 59th Street.

Phibbs has been volunteering his services there for the last four and a half years, photographing all of the animals that come through the organization in the hopes of finding them a home. In that time, he’s found great joy and purpose in the process, restoring dignity to mistreated dogs and learning how to bring the most out of his four-legged subjects. We spoke with Phibbs about his commitment to these canines, his upcoming book, and the driving objective behind all his photography.

How did you first get involved with the Humane Society of New York, and what made you want to initially take on this project?
I remember I was watching Charles Osgood [on CBS News Sunday Morning], and there was a segment about a woman who was dressing up dogs at the local rescue shelter like a fashion shoot—it increased their adoption rate by a lot. She said if every photographer did this in their town, there would be so much less suffering. I had some connections to the Humane Society of New York—I had donated prints to their silent auctions in the past—so I approached them with the idea, and they said let’s do it.

Have the portraits helped the dogs find homes?
I was really surprised at how successful they’ve been. When we first posted the portraits online, people started writing about them, and the HSNY got a big bump of traffic to their site from these different blogs. These pictures were taken solely to find these animals a “forever” home, and they’ve been successful in that regard.

Some of the animals are injured or disfigured, and yet there is never an attempt to conceal these imperfections. What are some things you think about when choosing how to present them?
My ultimate goal is to give them dignity, the dignity that they deserve. Simple as that.
Richard Phibbs
Richard Phibbs
I’m always seeking meaning in things, and I believe these pictures have helped to end some suffering.
How do the dogs react to the camera during the shoots? How do you put them at ease?
Most of them come from unimaginable suffering. The wonderful thing is that they made it to the HSNY, which is a no-kill shelter. But the animals don’t know that. They’re in a strange place and they’re terrified. They have no idea why they’re there. Over the years we’ve perfected how to shoot them: We transform a tiny examination room into a photo studio, and the animals are brought up individually. I have a small speaker through which I play an eternal om, which is a chant, a pleasing calming sound. Everybody goes low to the ground, and no one looks at the animal. Once they realize you’re not a threat, then they start to relax.
  • A selection of images from Phibb’s new book, Rescue Me
  • Little Lowell
  • Cosita
  • Franie
  • Harry
  • Willis
  • Mari
  • Kaylee and Maddie
  • Georgia

Of all of the animals you’ve photographed, is there one that stands out in your memory?
There are several that I will always remember, that your heart feels heavy for. This one guy, Little Lowell (above), had spent his whole life imprisoned in a hard plastic animal crate. When a policeman brought him into the shelter, they didn’t even know what kind of animal he was. He looked like a skeleton. His hair was so overgrown you couldn’t see his face, literally like a ghost. The executive director said it was one of the worst cases of abuse she’d ever seen. They were able to clean him and do medical tests, and they had to remove one of his eyes. They slowly rehabbed him back, and probably three months later they said he was ready to have his picture taken.

When I was in the taxi that day, I was so determined to take a great picture of him, to restore his dignity. And I was really pleased with the portrait of him. He was adopted by a great family and even has his own Instagram account [@lowellthelhasa]. There’s a picture of him on a plane on his way to Miami, and it was just so moving to see, knowing his whole story. He was thrown out like garbage. And yet from all this darkness came this brilliant light.

From an artist’s perspective, is your volunteer work with HSNY different from a typical paying job?
Whether I’m shooting an actor or a politician or an ad for Ralph Lauren, I’m always trying to get the essence of someone’s being, whether it’s a dog or a person. As an artist, the process is the same. But [my work with HSNY] brings me a lot of happiness and joy, and hopefully it’s opening people’s eyes to the idea that all living beings are of value. I’m blessed to have a career where I can take pictures and do what I love to do. But I’m always seeking meaning in things, and I believe these pictures have helped to end some suffering.
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ANDREW PAINE BRADBURY is a writer and musician based in New York City.
  • Photographs courtesy of Richard Phibbs Studio