The RL Q+A: Nathaniel Asseraf of Broadway & Sons

In Gothenburg, Sweden, two vintage-loving brothers put their own spin on Americana—and our Polo Spring Training collection

Walking in, you’ll pass rack after rack of well-worn Western jackets and perfectly faded denim. Standard-issue chinos and army tees, New England collegiate cardigans, and heavy-gauge letterman sweaters fill every nook. A vintage California state flag hangs on the wall, and an old Coca-Cola vending machine rests in the corner. If you were picked up and dropped into Broadway & Sons, a vintage shop that’s famed in menswear circles, you might assume you’ve landed somewhere in rural America. In fact, you’d be about 5,000 miles away, in Gothenburg, Sweden.

The family-run store has been in business since 1982, when David Asseraf began stockpiling and selling vintage denim and military surplus he sourced from Sweden, the States, and elsewhere, and opened up a storefront to sell it all. At the same time, he was sending box after box to his brother in Paris, to sell at the local flea markets across the sea.

Over the following decades, the business grew, as did David’s family. These days, the store is run and managed by the next generation: David’s son Nathaniel, who—after a stint at Ralph Lauren’s Parisian flagship on the Boulevard Saint-Germain—took over the shop in Gothenburg, while building an impressive following as a menswear influencer in his own right. (You may recognize him from street-style snaps, the pages of The Rake, or his exceptionally stylish Instagram account.)

And not only do Nathaniel and his brother, Noam, collect and curate the wares at Broadway & Sons, but they model them, too, deftly mixing vintage heritage with modern styling for the store’s online presence. It was only natural, then, for Polo to partner with Broadway & Sons for this season’s Spring Training collection, steeped in vintage collegiate and military surplus styles from the Ralph Lauren archive.

The duo styled and photographed the collection in Gothenburg entirely themselves, bringing a subtle twist of Broadway & Sons style to heritage Polo designs. Here, Nathaniel sits down with us to talk about family history, his time at Ralph Lauren, and his unique personal style.

You grew up at Broadway & Sons, but spent some time at Ralph Lauren before taking over the family business. What was that like?

I grew up with the shop, and I loved it. But when you’re young, you know, you never want to follow the family right away. I wanted to make my own experiences.

So, I decided to move to Paris—I had family there and speak French, and thought, “Why not? Let’s try it.” But then I got there and thought, “Ok ... now what?” I loved vintage clothing but didn’t have any money to open my own shop, so I had to find a job. I applied to work at the Ralph Lauren store and eventually was offered a job. And I said, “Well, of course I’ll take it. It’s Ralph.”

I stayed there for two years. But throughout that time, the business here in Sweden was growing, and really taking off worldwide. We needed someone to do all the work, and I didn’t think anyone could do the job better than someone who grew up at Broadway & Sons.

So you were working at Ralph Lauren while vintage-collecting on the side. What effect did that time have on your personal style?

For as long as I can remember, Ralph Lauren has been a big inspiration. Not only in how to make clothing, but the overall vision of what clothes can be. My parents bought Polo clothes for me when I was 3, 4 years old—Polo Sport T-shirts, that kind of thing—and the connection between Broadway & Sons and Ralph Lauren always felt perfect.

I also saw how every Ralph collection had so many military-inspired pieces that I recognized from the shop. How this piece or that was adapted from a specific British army jacket from WWII, for example. So for me, it was never a discussion—it was natural to mix vintage with Ralph Lauren. I’d wear a Ralph Lauren blazer paired with old olive army pants.

And now you’re back in Polo, with the Spring Training collection. You and your brother styled, modeled, and photographed the collection entirely yourselves—tell me a bit about your process and approach.

I remember asking for everything to be sent in a bigger size. I love to wear tops oversize, especially oxford shirts with a T-shirt underneath, and sizing up to a large in the Classic Fit brings back the vibe of ’80s and ’90s Ralph Lauren shirts. That’s partly the look we wanted to go for—’80s and ’90s Ralph, reinterpreted.

We took some of the photos in our studio on the first floor of the shop, using a 1930s linen canvas that once served the Swedish army as a sort of canvas shelter. The rest were taken outside our warehouse, where we also have a garage with part of our collection of vintage cars and bikes.


And speaking of the shop, what do you guys aim to stock at Broadway & Sons? Are you focused on certain niches, or is it all-encompassing?

Just like Ralph, I think, we’re trying to do as much as possible among different worlds but also following current interests. We’ll always have military surplus in our selection, but if we notice that people are asking more about workwear, we might focus on workwear for a period and try to find the best possible workwear in the world. If people are asking about military, we’re going to do everything in our power to find the very best military vintage.

Everything vintage, Americana, and well-made fits our style. If I find well-made vintage blazers, I won’t hesitate a minute to buy them for the shop. I want it to be a mix of the best of everything, and for people to be able to expand their style at Broadway & Sons.

My brother is finishing his last year of high school, and works whenever he can at Broadway & Sons. He’s the kindest fellow ever and takes such good care of customers. My role is mainly keeping up the flow of products listed online. Usually, this time of the year I’m going on business trips solo or with my father to find vintage stock to buy. Finding good vintage is extremely difficult these days, as people have been consuming mostly fast fashion and bad-quality clothing for the past 20 years.

Ralph Lauren is, in my opinion, probably the only modern brand that looks great in any vintage shop. Ralph Lauren is getting very hot on the vintage market, too. We’ve sold a lot of vintage Ralph shirts, dating back to the ’70s and ’80s, in the store. We’ve sold original Polo Western denim. And since the quality has been great throughout the years, it’s no surprise that people want it.

What interests you in vintage, outside of your family history in it?

I’ve always had a passion for things that are old. I love watching old movies and seeing the old clothes. Looking at old pictures, old cars, old watches. And a few years back, I started collecting those things myself. I’ve bought a few vintage cars, a few watches, and that all goes hand in hand with my collection of vintage clothing.

Speaking of vintage cars ... tell me about that Jeep in the Spring Training photos.

My first vintage car was a 1962 Renault Floride convertible, which I bought in Sweden. A few years later, I wanted a Jeep so badly, but didn’t have the money for it. Luckily, I was able to sell the Renault for three times as much as I paid for it, and with that money, I started looking for a WWII Jeep.

In Sweden, you can’t find them. But one autumn I was in the south of France on a work trip. I started looking around on the French version of Craigslist, and found one that was only 15 kilometers away from me. It was incredible. The Jeep came from Normandy in 1944, originally, and it was used by the French military after WWII when the Americans left it.

The guy I bought it from was so fanatical about keeping it in good shape, but his wife eventually told him, “It’s me or the car.” I was happy to take it from there.

Back to clothes—what’s the first piece of clothing you remember buying?

Most of my clothing came from the shop, growing up, so I actually never really bought clothes. But I remember traveling in Paris, years ago, and I was at a flea market there. One of the stands had a big bin of cutoff Levi’s, and I found one pair that I could tell were special, somehow. I thought they’d probably fit my girlfriend, so I bought them for 10 €.

Later on, as I was getting more into vintage denim, I noticed that they were pre-1964 Levi’s with a rare, traditional V-stitch reinforcement on the fly. That was the first thing I remember buying that turned out to be pretty special, and valuable.

Today, I wear almost entirely vintage. And whenever I travel, I always make sure to search out the best vintage stores and flea markets.


Are there any pieces that got away, that you regret not buying?

No. If I see something that I like, if it fits, and the price is fair, I buy it. Now, there are things that I regret selling ... but that’s another story.

Andrew Craig is the men’s content editor for Ralph Lauren.
  • © Ralph Lauren Corporation
  • Courtesy of Nathaniel Asseraf